Perception

In our everyday interaction with the environment, we often perceive objects and spaces as opportunities to feel, maintain, enhance, and change our affective states and processes. The concept of affective affordance was coined to accommodate this aspect of ordinary perception and the many ways in which we rely on the material environment to regulate our emo- tions. One natural way to think of affective affordances in emotion regulation is to interpret them as tools for regulating felt affective states. We argue (...) that this way of conceiving of affective affordances is too restrictive. By analyzing the role of expressive properties of objects and spaces in emotion regulation, we show that our environment does not need to elicit felt affective states to regulate our emotions. Thus, we revise the concept of affective affordance to accommodate these cases. This revised concept explains more with less. Hence, it should be preferred in wide-reaching philosophical projects that aim to explain human affectivity as a situated phenomenon. (shrink)

What is it to see something in a picture? Most accounts of pictorial experience—or, to use Richard Wollheim’s term, ‘seeing-in’—seek, in various ways, to explain it in terms of how pictures somehow display the looks of things. However, some ‘things’ that we apparently see in pictures do not display any ‘look.’ In particular, most pictures depict empty space, but empty space does not seem to display any ‘look’—at least not in the way material objects do. How do we see it (...) in pictures, if we do? In this chapter, I offer an account of pictorial perception of empty space by elaborating on Wollheim’s claim that ‘seeing-in’ is permeable to thought. I end by pointing to the aesthetic relevance of seeing—or not seeing—empty space in pictures. (shrink)

Le sens du toucher s'étend au corps entier qui, en chacune de ses parties, éprouve la sensation de présence ou de résistance ; mais c'est évidemment la main, avec ses doigts flexibles, qui montre l'aptitude supérieure à lier le tact et la prise, à agir en puissance ou en délicatesse. 'Cette main est philosophe,' notait Valéry, 'ce qu'elle touche est réel.' La main vaque au plaisir, comme elle teste la réalité qui nous entoure, conjuguant sans les confondre les deux principes (...) de la vie psychique. Tantôt elle loue la positivité de l'existence des objets qu'elle perçoit, tantôt elle tire jouissance d'être touchée en touchant, de profiter d'une espèce d'alliance énigmatique, éprouvée en partenariat avec un autre être, entre altérité et intimité. Le présent livre propose une phénoménologie du toucher, prolongée par l'examen des destins de la touche, selon qu'elle agit dans le dessin, la peinture et l'écriture, dont sont ici retracées les évolutions matérielles et technologiques."--Page 4 of cover. (shrink)

Time Tells is a grand study of time, technology, performance, the attention economy, and comedy. Using the cinematic time-jump, "a numerical shorthand for a fated intermission," to weave a narrative of chronopolitics, memoir, and cultural study, Masha Tupitsyn constructs a unique literary and visual phenomenology on the loss of time, presence, and attention in the digital age. Structured into two interlocked inquiries--Time and Acting--Time Tells focuses on the internet to talk about the ethics of presence and attention, comedy to talk (...) about timing and the language of critique, and lying masculinity, the double, and acting to talk about performance and the reign of falsehood. Both volumes intersect to examine our inability to experience coherence and integration in the post-truth era. In the first volume, Time, Tupitsyn covers wide-ranging cultural touchstones such as the '90s TV show Felicity, Hitchcock's Vertigo, Luca Guadagnino's Call Me by Your Name, Joan Didion's The Year of Magical Thinking, Pretty Woman, Wong Kar-wai's 2046, David Fincher's Zodiac, Jean-Luc Godard, the Beastie Boys, Wim Wenders, the art of style, memory and music in the post-internet age, and the lost ontology of cinema. Using what Tupitsyn terms "screen-shot criticism," Time Tells makes innovative critical thinking accessible to anyone interested in American culture today. (shrink)

Written more than a hundred years ago, Stein’s On the Problem of Empathy is, today more than ever, essential reading material for anyone interested in social cognition. In this book – which still inspires current research – Stein provides a systematic account of the empathic experience. Stein’s view of empathy as a process, and her understanding of its main forms and functions in presenting the other as a spiritual being, provide valuable insights on the intersubjective nature of the human being. (...) Yet, it is not only from the perspective of social cognition that Stein’s book is relevant today. In fact, the book approaches a wide range of issues, from the idea of personhood to social ontology and ethics, and it exemplifies the power of phenomenology to shed light on the basic structure of human consciousness (for an overview: Calcagno 2007; Lebech 2004; MacIntyre 2006; Moran 2004). In this chapter, my aim is to explore the relevance of Stein’s book on empathy for contemporary research by focusing on three main issues which, in my view, can enrich current scholarship. The first issue concerns Stein’s understanding of empathy as a three-step process through which we become conscious of the other’s experience. The second relates to her views of the intentional structure of the emotions as revelatory of the realm of value. The third is her idea that not only emotions but also moods might have correlates, e.g., the fact that the world appears to be bathed in black for the depressive person. These three issues are not exhaustive of the ways in which Stein’s early work can be an inspiration for today’s researchers, but they are illustrative of how her insights can advance three central debates of contemporary philosophy: on social cognition, on the relation between emotion and value, and on the intentionality of moods. (shrink)

In this enquiry I attempt to establish Universal Desire Theory as the nominal designation of my active ethical framework, a system heavily influenced by the natural essentialists Philippa Foot and Jenny Teichman, wherein the comparative amalgamation of all subjectively experienced biological harm and benefit is the foundation of objective normativity. Highlights of this paper include the sections where I discuss the moral life of the cell, as well as the moral fallibility of hallucinating persons under this system which combines biological (...) observation with conscious awareness of action. I hope you enjoy. (shrink)

David Hume’s philosophical work presents the reader with a perplexing mix of constructive accounts of empirically guided belief and destructive sceptical arguments against all belief. This book reconciles this conflict by showing that Hume intended his scepticism to be remedial. It immunizes us against the influence of “unphilosophical” causes of belief, determining us to proportion our beliefs to the evidence. In making this case, this book develops Humean positions on topics Hume did not discuss in detail but that are of (...) interest to contemporary philosophers: consciousness and the unity of consciousness, temporal experience, visual spatial perception, the experience of colour and other qualia, objective experience, and spatially extended minds. It also challenges currently accepted interpretations of Hume’s views on the finite divisibility of space and time, vacuum, the duration of unchanging objects, and identity over time. It deals with criticisms of Hume that were raised by his contemporaries, notably by Thomas Reid, draws attention to earlier seventeenth‑ and eighteenth‑century work that has bearing on the interpretation of Hume’s thought, and compares Hume’s achievements with those of later nineteenth‑century psychologists and philosophers. (shrink)

I argue that beliefs based on irresponsibly formed experiences — whose causes were not appropriately regulated by the subject — are doxastically unjustified. Only this position, I claim, accounts for the higher epistemic standard required of perceptual experts. Section I defends this standard and applies it to a pair of cases in which either an expert umpire or a complete novice judge a force play in baseball. I argue that when the latter, but not the former, fails to follow rules (...) about perceiving force plays, their resulting belief is justified. Section II shows that this difference can be explained by the fact that the novice, but not the expert, formed her experience responsibly. Section III shows that alternative explanations of the expert’s unjustified belief — from defeat, reliability, and inference — fail. Section IV shows that the epistemic relevance of responsible experience formation has broad implications for the epistemology of perceptual beliefs. (shrink)

This paper applies the account developed by Susanna Siegel in The Rationality of Perception to aesthetic cases and explores the implications of such an account for aesthetic engagement as well as curatorial and exhibitionary practices. It argues that one’s prior outlook – expertise, beliefs, desires, fears, preferences, attitudes – can have both aesthetically good and bad influences on perceptual experiences, just as it can have both epistemically good and bad influences. Analysing these bad influences in cases of ‘hijacked’ aesthetic perception (...) will reveal that, unless we recognize that our perception of high-level and low-level aesthetically relevant properties is norm-governed, we will be at a loss to explain what goes wrong in these cases. Just as perception can be rational or irrational, so too can it be apt or inapt. (shrink)

In this paper, I defend a tripartite metaphysics of intentional mental states, according to which mental states are divided into subject, content, and attitude, against recent attempts at eliminating the attitude component (e.g., Montague, Oxford studies in philosophy of mind, 2022, 2, Oxford University Press). I suggest that a metaphysics composed of only subject and content cannot account for (a) multisensory perceptual experiences and (b) phenomenological differences between episodes of perception and imagination. Finally, I suggest that some of the motivations (...) behind the rejection of the attitude component can be accommodated within the tripartite framework. (shrink)

Christopher Hill's book Perceptual experience argues for a representational theory of mind that is grounded in empirical psychology. I focus here on three aspects of Hill's picture: The objects of visual awareness, the perception/cognition border, and the epistemic role of perceptual experience. I introduce challenges to Hill's account and consider ways these challenges may be overcome.

Perceptual malleability and diversity can stem from perceptual learning, expertise, genetics, disease, or accident. Perceptual malleability and diversity force us to reject the claim that perceptual capacities, perceptual experience, and perceptual content are universal across subjects and times. And it casts doubt on the presumption of a universal human perceptual nature. However, it does not directly challenge perceptual objectivity, understood as the claim that one can perceive a world of things and features that are independent from oneself and one's experiences (...) and that could be perceived by other subjects. (shrink)

In crossmodal identification, a subject token identifies an item perceived in one sensory modality with an item perceived in another sensory modality. Does crossmodal identification always occur in cognition, or does crossmodal identification sometimes take place in perception? This paper argues that crossmodal identification occurs in cognition, and not in perception. Nevertheless, multisensory perception is not unalive to crossmodal identity. Experimental evidence demonstrates that perception is differentially sensitive to the identity of individuals presented to distinct senses. Such sensitivity enhances recognition (...) and improves action. This approach relies on distinguishing crossmodal identification from perceiving crossmodal identity. Perception registers crossmodal identity, but crossmodal identification as such belongs to thought. (shrink)

Evaluativism about unpleasant pains offers one way to think about unpleasant pain experience. However, extant Evaluativist views do not pay enough attention to the affective dimension of pain experience and the complex relations between the affective, evaluative and sensory dimensions. This paper clarifies these relations and provides a view which more closely reflects the phenomenology of unpleasant pains. It argues that the intentional structure of paradigmatic unpleasant pain is as follows: unpleasant pains essentially involve a proprietary intentional mode—what I call (...) affective-interoception—and a distinctive kind of evaluatively qualified sensory content. The resulting view is Affective-Evaluativism. (shrink)

(This article was republished in lightly re-edited form in _Journal of Scottish Philosophy_ 16 (2018) 175-91.) Reid and Berkeley disagreed over whether we directly perceive objects located outside of us in a surrounding space, commonly revealed by both vision and touch. Berkeley considered a successful account of erect vision to be crucial for deciding this dispute, at one point calling it ‘the principal point in the whole optic theory.’ Reid's critique of Berkeley's position on this topic is very brief, and (...) appears to miss Berkeley's point. I argue that there is more to Reid's response to Berkeley than at first meets the eye. Reid's rival account of erect vision draws on evidence that makes a compelling case for the position that we see the same space that we touch. (shrink)

A survey of work on the philosophy of perception, mind, and mental representation by Berkeley and his early modern predecessors, notably Descartes, Hobbes, Malebranche, and Locke.

A survey of work on perception, mind, and mental representation by 18th century philosophers after Berkeley, notably Robert Smith, William Porterfield, David Hume, Etienne de Condillac, and Thomas Reid.

In contemporary philosophy, various attempts have been made in relation to placing our minds or mental states in the natural world or nature. In this context, there is a clear divide between naturalism and anti-naturalism, materialism and immaterialism, etc. Driven by the influence of naturalistic turn in philosophy and scientism, many philosophers have tried to put forth various naturalistic accounts of the relationship between mind and natural world. However, many of these accounts are naturalistic based on the modern scientific conception (...) of nature which has been hailed as the dominating conception of nature. John McDowell in his magnum opus Mind and World, while criticizing modern scientific account of the relationship between mind and world, has not resorted back to anti-naturalism. Instead, he has tried to give us certain clues to develop an account of an alternative form of naturalism which is at the same time radically different from both scientific naturalism and mysterious anti-naturalism. In this paper, I will try to search for an alternative naturalism following McDowell and examine to what extent this account is tenable. In this context, we shall discuss various approaches to understand the relation between reason/normativity (which is one of the significant constituting elements of our mind) and natural world. (shrink)

Our perceptual systems are not stagnant but can learn from experience. Why is this so? That is, what is the function of perceptual learning? I consider two answers to this question: The Offloading View, which says that the function of perceptual learning is to offload tasks from cognition onto perception, thereby freeing up cognitive resources (Connolly, 2019) and the Perceptual View, which says that the function of perceptual learning is to improve the functioning of perception. I argue that the Perceptual (...) View better explains data from infants and animals, and better accounts for learned tasks that only perception could perform. (shrink)

Some embodied theories of concepts state that concepts are represented in a sensorimotor manner, typically via simulation in sensorimotor cortices. Fred Adams (2010) has advanced an empirical argument against embodied concepts reasoning as follows. If concepts are embodied, then patients with certain sensorimotor impairments should perform worse on categorization tasks involving those concepts. Adams cites a study with Moebius Syndrome patients that shows typical categorization performance in face-based emotion recognition. Adams concludes that their typical performance shows that embodiment is false. (...) Moebius patients must draw on amodal (non-embodied) emotion concepts. In this paper, I review face-based emotion recognition studies with Moebius patients yielding conflicting results and diagnose these conflicts as a difference in experimental design. When emotion labels are provided, patients have typical performance, but when labels are not provided patients are severely deficient. I then show how an embodied, psychological constructionist view of emotions predicts and explains these performance differences. The upshot is that embodied theories of concepts are vindicated. (shrink)

Cet article interroge les fondements théoriques de l’expérience musicale chez quatre penseurs des Lumières : Condillac, Rousseau, Chabanon, et Smith. On dégage d’abord les opérations qui, selon Condillac, permettent au spectateur d’actualiser les imitations visées par le musicien. Ce « régime empiriste de l’écoute » envisage l’expérience musicale dans une dualité entre plaisirs sensibles de pure « jouissance » et plaisirs d’imagination intellectualisés. Rousseau cherche à sortir de ce dualisme, en fondant l’émotion musicale dans une théorie de la communication primitive (...) et dans une anthropologie de la pitié. L’effort de Chabanon pour rompre avec la conception imitative de la musique s’accompagne d’un retour du primat de la « jouissance » et d’une nouvelle forme de sensualisme musical. Adam Smith est le premier philosophe à dégager la musique du schéma mimétique sans renoncer à traiter l’écoute musicale comme une opération proprement intellectuelle. (shrink)

This chapter contains an introduction by the editors of the volume P.F. Strawson and his Philosophical Legacy. First, the chapter describes Strawson’s life and gives a summary of his most important works, ranging from his early ‘On Referring’ to his latest book Analysis and Metaphysics. Secondly, it gives an overview of the contributions that appear in P.F. Strawson and his Philosophical Legacy. Lastly, a bibliography of primary and secondary sources is given. The aim of the chapter is to introduce the (...) reader to Strawson’s work and to facilitate the learning process of becoming acquainted with Strawson’s philosophical project. (shrink)

Henry Habberley Price, who published as H. H. Price, was born in 1899. From 1935 to 1959 he was Wykeham Professor of Logic at Oxford University. Price was a major figure in his lifetime well-known especially for the “clarity and elegance of style”, which, according to Martha Kneale (1996: xix), make his works readable in spite of changing fashions in philosophy. Many people’s acquaintance nowadays with Price’s philosophical work derives from his being a target in Austin’s (1962) famous attack on (...) the sense-datum theory. This restricted acquaintance with his output is one reason that Price has been ignored in recent philosophy. -/- Mainstream philosophy neglected him after the Second World War, perhaps partly because, when articulating his ideas, he mainly engaged with philosophers of the past, such as Locke and Hume. His thought was, however, valued by fellow philosophers such as Broad, Moore, Ayer, and generations of his students at Oxford, including Sellars, Armstrong, and Anscombe. -/- Although Price is seen mainly as a philosopher of perception, only two of his six books are about perception and he had a major influence, also publishing many articles, on a variety of topics, including some we cannot focus on here, e.g., our evidence of other minds (1938; 1930b: 195) and psychical research (1940c; 1953b; 1972; 1995; an interest he claims to share with Neo-Platonists [1968a: 447]). We can only provide a sketch of his rich contributions. After briefly sketching his life (§1), we discuss his philosophy’s general features (§2), contributions to the studies of perception (§3), properties (§5.1), recognition (§5), belief (§6), religious belief (§6.8), his revival and serious study of Hume (§4), and some remarkable anticipations (§7). (shrink)

This volume offers a collective study of the work of P. F. Strawson (1919-2006) and an exploration of its relevance for current philosophical debates. It is the first book since Strawson's death to cover the full range of his philosophy, with chapters by world-leading experts about his lasting contributions to the philosophy of language, metaphysics, epistemology, moral philosophy, and philosophical methodology. It aims to achieve a balance between exegesis of Strawson, critical engagement, and consideration of the reception and continuing value (...) of his work. It explores the intellectual relations between Strawson and some of his predecessors and contemporaries and it will be an indispensable source for scholars and students of twentieth-century philosophy and its influence in the twenty-first. With contributions by Anne Bezuidenhout, Ian Rumfitt, Paul Snowdon, Quassim Cassam, Michelle Montague, Hans-Johann Glock, Anil Gomes, Lilian Alweiss, Giuseppina D'Oro, A.P. Martinich, Paul Russell, Lucy Allais, and Victoria McGeer. (shrink)

“I can smell you”—spoken as a factive statement, it is jarring and if uttered to a stranger it seems transgressive. Telling someone you see them generates a sense of affirming their identity, but your smell is private. Perhaps smell isn’t the lead sense, but what I hope to make clear throughout this chapter is that our sense of smell allows us to perceive aspects of our own and other’s identity. The chapter aims to show that our unconscious perception of the (...) smell of ourselves and others partially constitutes the foundations for our sense of self. We are immersed within an invisible sea of odourous chemical currents, some derived from our environment with its everyday flux of objects while other odourous plumes derive from the humanity encompassing us. People have a rich bouquet of smells generated from the volatile chemical compounds emanating from them, including their bodily odours (BO), their adorned perfumes, and associated environmental smells from their abode hitchhiking on their person. As individuals we have a smell that is composed from these ranges of odours that allows us to recognize ourselves as an olfactory entity distinct from someone else’s BO bouquet. However, if forced to introspectively report our own smell we would be befuddled. We aren’t often aware of smelling ourselves (unless we are worried about stinking), and we have trouble recollecting the last time we volitionally engaged in exploratorily sniffing someone else. Thus, establishing a weak constitution relation between smelling and our sense of self is challenging. What will need to be revealed is something that escapes our daily awareness and introspective access, that is, that we are continually perceiving our own and other people’s smells. Moreover, these qualitative states occur outside of conscious awareness and yet generate an underlying aspect of our sense of self. Aside from jostling our intuitions about the foundations of our sense of self the evidence surveyed might also require reconceptualizing the conscious versus unconscious distinction in accommodating the nature of our olfactory self and other smelling. (shrink)

Smells seem to offer a great opportunity to restructure the reality of the individual. Yet, the olfactory dimension is rarely part of design strategies in architecture, urban planning or landscape urbanism. As designers, we learn to compose mainly with shapes, shapes whose full scale and effects on our senses we will experience only when constructed. However, we should be primarily concerned with creating spaces that not only open the imagination of the individual but also allow positive moods to thrive. In (...) this scheme, all the senses should be called, not just our vision, as is too often the case. The fields of architecture and environmental design must evolve and train professionals capable of conceptualizing both tangible and intangible forms. In this logic, architectural structures offer a way to call upon our own mindscapes; and within the discipline of design a new field of specialization exists: smellscaping. (shrink)

It is commonly assumed that images, whether in the world or in the head, do not have a privileged analysis into constituent parts. They are thought to lack the sort of syntactic structure necessary for representing complex contents and entering into sophisticated patterns of inference. I reject this assumption. “Image grammars” are models in computer vision that articulate systematic principles governing the form and content of images. These models are empirically credible and can be construed as literal grammars for images. (...) Images can have rich syntactic structure, though of a markedly different form than sentences in language. (shrink)

Descartes was the first to hold that, when we perceive, the representation need not resemble what it represents but should correspond to it. Descartes developed this ground-breaking, influential conception in his work on analytic geometry and then transferred it to his theory of perception. I trace the development of the idea in Descartes’ early mathematical works; his articulation of it in Rules for the Direction of the Mind; his first suggestions there to apply this kind of representation-by-correspondence in the scientific (...) inquiry of colours; and, finally, the transfer of the idea to the theory of perception in The World. (shrink)

Адекватные знания о буддизме необходимы для образования и культуры любого человека, который не хочет быть просто еще одним отчужденным членом стада, слепо идущего среди технологической революции. Ранний буддизм можно понять с помощью современного языка и знаний и установить его связь с современной мыслью и ее источниками. Благодаря этому становится возможным углубить и расширить наше представление о совместимости этих тысячелетних принципов с нашим современным образом жизни и познания. Требуемое для этого исследование достаточно трудоемкое. Буддизм — это предмет, лежащий в основе гигантской (...) литературной и культурной горы. Чем ближе мы подходим к его первоначальной концепции, тем более глубокие и объемные раскопки нам предстоит провести. (shrink)

I argue that the mainstream formulation of the argument from illusion is invalid, and the Uniqueness Assumption which makes the argument valid is suspicious because the intuition of the assumption stems from common sense which is challenged by the argument from illusion. I show that even if sense data were admitted as objects in illusions, the subject can still perceive something real; she can perceive a composite. This means that the sense-datum account of illusion need not apply to perception.

Based on Husserl’s distinction between mode of living presence (Modus der Leibhaftigkeit) and mode of certainty (Glaubensmodus der Gewißheit), which coincide in normal univocal perception, the paper argues for a distinction between two different types of accordance (Einstimmigkeit) in perceptual experience – local accordance and global accordance. While local accordance is characterized by the unfolding of appearances in agreement with lines of accordance instituted by recent perceptual apprehensions within a certain spatio-temporal domain, global accordance is characterized by the agreement between (...) appearances unfolding in local accordance with previous and simultaneous apprehensions concerning the spatio-temporal surroundings of this domain. As will be shown, to perceive something in local accordance amounts to perceiving it in the mode of living presence, while to perceive something in global accordance amounts to perceiving it in the belief mode of certainty (relative to a certain surrounding). In light of these considerations, an account of the perception of figments and immersion is put forward which does not invoke make-belief or the idea of an as-if-perception. (shrink)

This chapter argues that smell and flavour perception present distinctive challenges for phenomenological reflection, but that these difficulties can be addressed through a ‘gestaltist’ approach to perceptual organisation. I argue that the ‘chemical’ senses do not generally allow immediate access to ordinary objects like roses and apples, but rather to odours and flavours, the diffuse nature of which make it hard to get a grip on the associated perceptual phenomenology. Drawing on the work of gestalt psychologists and phenomenologists, I outline (...) a modality-neutral approach that emphasises the irreducibly structured nature of perceptual experience and is especially useful for thinking about experiences that are not targeted at ordinary physical objects. Such an approach can clarify and explain nebulous aspects of perceptual experience, illuminating elements of our smell and flavour experiences that may be indeterminate. (shrink)

This article comprehensively examines how information processing relates to attention and consciousness. We argue that no current theoretical framework investigating consciousness has a satisfactory and holistic account of their informational relationship. Our key theoretical contribution is showing how the dissociation between consciousness and attention must be understood in informational terms in order to make the debate scientifically sound. No current theories clarify the difference between attention and consciousness in terms of information. We conclude with two proposals to advance the debate. (...) First, neurobiological homeostatic processes need to be more explicitly associated with conscious information processing, since information processed through attention is algorithmic, rather than being homeostatic. Second, to understand subjectivity in informational terms, we must define information uniqueness in consciousness (e.g., irreproducible information, biologically encrypted information). These approaches could help cognitive scientists better understand conflicting accounts of the neural correlates of consciousness and work toward a more unified theoretical framework. (shrink)

Les articles de ce recueil, réunis par des membres du Centre de Recherche en Poétique, Histoire Littéraire et Linguistique (EA 3003) de l'Université de Pau et des Pays de l'Adour, explorent les notions de perception, perspective et perspicacité dans plusieurs champs de recherche (linguistique, littérature, histoire des idées, philosophie et arts) et à diverses époques, du Moyen Age à la modernité. De l'univers sonore médiéval à l'esthétique de Debussy, de la linguistique populaire à l'étude linguistique des relations entre perception, cognition (...) et syntaxe, de Prévost à Proust en passant par Mark Twain ou Virginia Woolf, de la peinture américaine de Thomas Cole aux oeuvres vidéographiques contemporaines, cet ouvrage, tel un kaléidoscope, offre une myriade de perspectives sur la façon dont de simples locuteurs, des écrivains, des artistes ou des philosophes s'efforcent d'appréhender le monde. Les auteurs mettent en évidence les multiples stratégies rhétoriques, narratives ou esthétiques, entre autres, destinées à combler les failles d'une vision trop empirique ou à briser ou brouiller de façon perverse les écrans qui font obstacle à notre perception. Celle-ci survient parfois au terme d'une longue initiation, ou elle ne survient pas, tant il paraît difficile de jeter un regard surplombant sur un monde labile et opaque. La perception n'en demeure pas moins un catalyseur de la création, et aussi de la réception, voire de la re-création par un lecteur / spectateur perspicace qui aime être surpris de voir plus loin que son horizon d'attente. (shrink)

A puzzle about the presentation of objects located at a distance is seen to animate Aristotle's account of transparency in De Anima and De Sensu.

Le sens dépend-il de la sensibilité? De quelle manière ou en quel sens? La phénoménologie reconnaît au sens une part de sensibilité, contre la thèse de son autonomie. Le sens ne serait pas un phénomène de connaissance, ni un phénomène de langage, mais un phénomène sensible : un contenu de perception, propre au rapport que le corps sentant entretient au monde senti. Nos discours, nos actes et nos existences perdraient alors leur sens à mesure qu’ils s’autonomisent et se trouvent partiellement (...) privés de leur dimension sensible, corporelle et mondaine. Mais cette thèse ne s’impose pas d’un seul tenant dans l’histoire de la phénoménologie. De l’autonomie à la sensibilité et de la sensibilité à l’autonomie, l’analyse phénoménologique du sens implique chaque fois des régressions qui, en retour, ouvrent de nouvelles avancées. C’est ce mouvement que cet ouvrage se propose de retracer, de Husserl à la phénoménologie française, via les principales conceptions du sens qui s’y trouvent développées. (shrink)